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	<title>Cinema Discourse &#187; Uncategorized</title>
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	<description>Movies as mythologically informed literature.</description>
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		<title>On The Adventures of Tintin</title>
		<link>http://www.cinemadiscourse.com/2011/12/26/on-the-adventures-of-tintin/</link>
		<comments>http://www.cinemadiscourse.com/2011/12/26/on-the-adventures-of-tintin/#comments</comments>
		<pubDate>Mon, 26 Dec 2011 09:15:21 +0000</pubDate>
		<dc:creator>John David Ebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinemadiscourse.com/?p=334</guid>
		<description><![CDATA[The Adventures of Tintin:
A Movie Review
by John David Ebert

When Michelangelo returned to the Sistine Chapel twenty years after finishing his Genesis masterpiece on the ceiling &#8212; a masterpiece which astonished everyone and caused Raphael to go back to his School of Athens to paint Michelangelo in as the morose Thinker in the foreground &#8212; he [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>On Immortals</title>
		<link>http://www.cinemadiscourse.com/2011/11/27/on-immortals/</link>
		<comments>http://www.cinemadiscourse.com/2011/11/27/on-immortals/#comments</comments>
		<pubDate>Sun, 27 Nov 2011 06:05:04 +0000</pubDate>
		<dc:creator>John David Ebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinemadiscourse.com/?p=327</guid>
		<description><![CDATA[
Immortals, Mythology and Metaphysics
A Review by Benton Rooks
“…Myth remains the proper language of metaphysics.” –Ananda K. Coomaraswamy[i]
There are three essential layers and functions for any mythology: social, psychological and metaphysical /spiritual. The dualistic social function varies significantly from culture to culture—myths have often been used by the media, Church and the State as tactics of [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>On Rise of the Planet of the Apes</title>
		<link>http://www.cinemadiscourse.com/2011/08/08/on-rise-of-the-planet-of-the-apes/</link>
		<comments>http://www.cinemadiscourse.com/2011/08/08/on-rise-of-the-planet-of-the-apes/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 04:27:04 +0000</pubDate>
		<dc:creator>John David Ebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinemadiscourse.com/?p=322</guid>
		<description><![CDATA[Rise of the Planet of the Apes:
A Movie Review
by John David Ebert

Rise of the Planet of the Apes is an entertaining, if not particularly inventive, prequel to the Planet of the Apes franchise. And when I say that the film is not inventive I mean that it unfolds in exactly the way the viewer anticipates [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<title>On Sucker Punch</title>
		<link>http://www.cinemadiscourse.com/2011/07/06/on-sucker-punch/</link>
		<comments>http://www.cinemadiscourse.com/2011/07/06/on-sucker-punch/#comments</comments>
		<pubDate>Thu, 07 Jul 2011 00:58:28 +0000</pubDate>
		<dc:creator>John David Ebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinemadiscourse.com/?p=304</guid>
		<description><![CDATA[Sucker Punch: A Movie Review
by John David Ebert

In my book Celluloid Heroes &#38; Mechanical Dragons, I compared the development of Hollywood cinema in the 1970s and 80s with the achievement of the High Renaissance at the moment when, with artists like Leonardo, Botticelli, Raphael et. al., Western oil painting hit the apogee of its arc. [...]]]></description>
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		<slash:comments>12</slash:comments>
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		<title>On The Adjustment Bureau</title>
		<link>http://www.cinemadiscourse.com/2011/07/02/on-the-adjustment-bureau/</link>
		<comments>http://www.cinemadiscourse.com/2011/07/02/on-the-adjustment-bureau/#comments</comments>
		<pubDate>Sat, 02 Jul 2011 23:55:11 +0000</pubDate>
		<dc:creator>John David Ebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinemadiscourse.com/?p=302</guid>
		<description><![CDATA[The Adjustment Bureau: 
A Movie Review
by John David Ebert

On the surface, The Adjustment Bureau appears to be yet another film about the Western myth of the Individual&#8217;s battle against Fate, a standard rehearsal of how, with the development and differentiation of the Self and free will, Western civilization identified itself with the myth of the [...]]]></description>
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		<slash:comments>5</slash:comments>
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		<title>On Super 8</title>
		<link>http://www.cinemadiscourse.com/2011/06/21/on-super-8/</link>
		<comments>http://www.cinemadiscourse.com/2011/06/21/on-super-8/#comments</comments>
		<pubDate>Wed, 22 Jun 2011 03:42:29 +0000</pubDate>
		<dc:creator>John David Ebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinemadiscourse.com/?p=298</guid>
		<description><![CDATA[Super 8: A Movie Review
by John David Ebert

Hollywood movies are in trouble.
Just like the cliche of the graying middle ager with the beer belly who regales his bored listeners with tales of his former high school glories as a football superstar, so now we have, with J.J. Abrams&#8217;s Super 8 the celluloid equivalent of the [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>On Lars von Trier&#8217;s Anti-Christ</title>
		<link>http://www.cinemadiscourse.com/2011/05/14/on-lars-von-triers-anti-christ/</link>
		<comments>http://www.cinemadiscourse.com/2011/05/14/on-lars-von-triers-anti-christ/#comments</comments>
		<pubDate>Sun, 15 May 2011 00:23:11 +0000</pubDate>
		<dc:creator>John David Ebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinemadiscourse.com/?p=289</guid>
		<description><![CDATA[Anti-Christ: A Movie Review
by John David Ebert

 
Though this film was released in Denmark in May of 2009 and is therefore not technically recent, I just watched it for the first time on Netflix streaming video on demand and must say that it requires discourse. In an age of Hollywood formulas and computer generated celluloid [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
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		<title>Source Code</title>
		<link>http://www.cinemadiscourse.com/2011/04/08/source-code/</link>
		<comments>http://www.cinemadiscourse.com/2011/04/08/source-code/#comments</comments>
		<pubDate>Fri, 08 Apr 2011 18:56:24 +0000</pubDate>
		<dc:creator>John Lobell</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinemadiscourse.com/?p=284</guid>
		<description><![CDATA[Source Code: A Movie Review
by John Lobell

[Spoiler alert] In my comment posted after Ebert’s review on this site of Inception, I wrote: “Notice that we have been getting a lot of movies with a non-linear, layered time, and notice that (most) audiences are totally comfortable with these movies.” I then went on to briefly discuss [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Top 20 Films Since 1992</title>
		<link>http://www.cinemadiscourse.com/2011/01/10/top-20-films-since-1992/</link>
		<comments>http://www.cinemadiscourse.com/2011/01/10/top-20-films-since-1992/#comments</comments>
		<pubDate>Mon, 10 Jan 2011 20:44:11 +0000</pubDate>
		<dc:creator>John David Ebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinemadiscourse.com/?p=275</guid>
		<description><![CDATA[My Top 20 Films Since 1992
by John David Ebert
After watching Quentin Tarantino&#8217;s list on You Tube and then realizing that absolutely none of his films overlap with my own list, I&#8217;ve decided, just for fun, to post that list here, with brief discussions of each film.
Here they are, then, in order by release date:
1. Ed [...]]]></description>
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		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>On True Grit</title>
		<link>http://www.cinemadiscourse.com/2011/01/04/on-true-grit/</link>
		<comments>http://www.cinemadiscourse.com/2011/01/04/on-true-grit/#comments</comments>
		<pubDate>Wed, 05 Jan 2011 01:05:04 +0000</pubDate>
		<dc:creator>John David Ebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.cinemadiscourse.com/?p=207</guid>
		<description><![CDATA[True Grit: A Movie Review
by John David Ebert

In this etching by Picasso entitled &#8220;The Blind Minotaur,&#8221; we are presented with the image of an enfeebled and sightless Minotaur who is being led about by a young girl carrying a dove. The Minotaur &#8212; in other words, a gruff old monster &#8212; can no longer see [...]]]></description>
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		<slash:comments>1</slash:comments>
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