Comments on: On James Bond http://www.cinemadiscourse.com/2008/11/13/on-james-bond-3/ Movies as mythologically informed literature. Tue, 27 Dec 2011 07:47:27 +0000 http://wordpress.org/?v=2.9.1 hourly 1 By: John David Ebert http://www.cinemadiscourse.com/2008/11/13/on-james-bond-3/comment-page-1/#comment-6854 John David Ebert Wed, 22 Sep 2010 17:16:24 +0000 http://www.cinemadiscourse.com/2008/11/13/on-james-bond-3/#comment-6854 I'd have to go back and rewatch the Bourne movies and give the matter some thought. If I ever do that, I'll let you know what I think. I’d have to go back and rewatch the Bourne movies and give the matter some thought. If I ever do that, I’ll let you know what I think.

]]> By: Glass http://www.cinemadiscourse.com/2008/11/13/on-james-bond-3/comment-page-1/#comment-6644 Glass Fri, 17 Sep 2010 01:25:19 +0000 http://www.cinemadiscourse.com/2008/11/13/on-james-bond-3/#comment-6644 Fantastic piece. As an additional question: where would you see the cultural place of recent spy movie franchises such as the Bourne trilogy? Fantastic piece. As an additional question: where would you see the cultural place of recent spy movie franchises such as the Bourne trilogy?

]]> By: adam a. http://www.cinemadiscourse.com/2008/11/13/on-james-bond-3/comment-page-1/#comment-679 adam a. Mon, 17 Nov 2008 01:43:10 +0000 http://www.cinemadiscourse.com/2008/11/13/on-james-bond-3/#comment-679 "For Bond is, in fact, the first global superhero of popular literature." Really? What about Doc Samson, the Shadow, etc. Also, having just seen the most recent Bond film, I would be interested in your reading of how it scrambles Bond's role as a capitalist antigen and seems to be more of exception of the rule of the film's usual patterns. “For Bond is, in fact, the first global superhero of popular literature.”

Really? What about Doc Samson, the Shadow, etc.

Also, having just seen the most recent Bond film, I would be interested in your reading of how it scrambles Bond’s role as a capitalist antigen and seems to be more of exception of the rule of the film’s usual patterns.

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